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A Snorkeler's
Love Affair with Photography
Editorial by Joel Simon
While researching the article for the Sunset Beach Resort on Bonaire
I had the opportunity to meet many avid snorkelers. Among them was
an entertaining couple, Bob (in a bright blue tropical shirt) &
Carol (dripping with salt water and enthusiasm) McIsaac from Amherst,
New York. Carol was distinctive -- when we met, she had a single
use camera attached to each wrist and a bright orange Nikonos V
strapped around her neck. Clearly, here was a person who loved photography
as much as she adored snorkeling. While sitting together on the
beach, I couldnt resist asking her a question I often ask
myself: why take pictures?
"I
just cant get over how beautiful it is down there. I love
being in the water. Bob says I should have been born a fish. The
photos help me remember the feeling of the marine environment, especially
when we go back to the cold, snowy winter in New York." Carols
response embodies her ebullience for both visual imagery and the
underwater world. Pictures, especially ones youve taken yourself,
can evoke great memories. For many snorkelers, this is enough.
Carol,
however, after putting down her cameras and picking up a drink,
continued. "Each time I go in the water, I see fish Ive
never seen before. Its really hard for me to remember how
many spots a particular fish had, or if its fins were yellow,
green, or black. I get my prints processed each day, and then Bob
and I usually get a couple of rum and Cokes and come here to look
at the pictures and watch the sunset." Bob nodded his agreement,
taking a swallow from his plastic cup. "With a fish identification
book, I try to match my photos with the ones in the book. Of course,
mine arent nearly as good, but its the best way I know
to learn the names of the fish." Bob nodded and swallowed again.
"In
the beginning, I couldnt keep track of all the different kinds
of fish, there were just so many," said Carol, "but its
amazing how quickly they become familiar. When we first arrived
I could hardly tell a filefish from a flounder, but now I know most
of the common types."
When she
compared her photos to the published ones, Carol hinted at another
issue. I asked her what makes a photo good? "Well, Im
just learning about photography. Although weve been snorkeling
for years, this is the first time Ive tried underwater photography.
Thats really why Im using all these cameras. I wanted
to compare the results." I asked her what she had discovered.
"I
like the ease of these little plastic cameras", she said pointing
to the single use models. "Theyre small, light, and simple."
But with Bob around to tell me what settings to use on the Nikonos,
I can focus closer to the fish. Its more to think about, but
the shots are nice and sharp and the fish look bigger in the photos."
What Carol
didnt emphasize was her ability to approach the fish. Remember,
shed been snorkeling for years. In general, the "quality"
of photographic images improves with a snorkelers proficiency
in the water.
Even for
the best snorkeling photographers, fish are challenging subjects.
Carol, however, had a helpful suggestion. "Ive had excellent
results taking pictures of the fish near the little wooden dock.
Its shallow, and there are lots of fish, including a large
school of little silversides and some big French angelfish. They
just stay by the dock, and theyre usually close to the surface."
I asked
Carol one more question: "Now that youve had experience
snorkeling with and without a camera, does photography add or detract
from your overall appreciation of the reef?" "Oh, thats
easy", she replied. "Taking pictures has added an entirely
new dimension to snorkeling for me. Im learning the names
of all the fish, and watching their behavior much more closely than
I ever have before. Sometimes, Ill just follow one around
for hours. Plus, looking at the photos with Bob is so much fun."
Bob looked over to me, raised his cup to the setting sun, and whispered
in jest, "My favorite part is when she runs out of film!"
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